42nd Street just got a lot more palatable

Extreme Home Invasion Makeover Sex Fantasy

May I just say: I am not the person with whom you should be enacting a home invasion sex fantasy. Home invasions are one of my biggest fears. I don’t mean simple burglaries; I’m talking psychotic-symbolic invasions, like in the movies — you know, where some sicko sets out to punish modern bougie excess one household at a time — which is why I try to make my home life as much of a drag as possible, in case there’s an invader at the window and on the fence: No skiing trips being planned in here! Just eating a bowl of Crispix in the dark! Often is the night that I lie in bed, worrying that the footsteps in the hallway are not the loafers of my pianist neighbor but the soleless boots of soulless men who will kick in the door and torture me — or even worse, not touch me at all, say they’d rather just be friends.

So, the fetish eludes me. And yet there I was, at the apartment of a man I did not know, opening the front door he’d left unlocked for me. Once inside I followed the only apparent light to its source, his bedroom, where he wanted me to “happen upon” him. I slowly pushed open the door and, sure enough, there he was, face-down and naked on his bed. I figured at this point we could drop the charade and proceed like normal adults with emotional issues, but then he rolled over and I noticed he’d blindfolded himself with an Hermès necktie.

I paused. This was not part of the plan. I’d never hooked up with a blindfolded person before, someone with no care for what I might look like in person. Call me old-fashioned, but I like to see the face of my evening’s ruination. Do I say hello, I wondered, do I make my presence known? It was clear the level of anonymity he sought was total, so I kept quiet and awkwardly began to undress. My belt hitting the floor was Civil War loud. Saliva caught in my throat and I tried to pass the subsequent cough off as a titillating grunt. Gay Oedipus stirred on the bed.

Finally naked, I stared down at him. I thought he might say something or do something but he didn’t, so I sat on his face to ease the tension. (Gentle readers, there are many things I wish for you, but chief among them is that at some point in your lives you too rest your taints on Hermès.) For a minute or two it was as if I’d sat on an unmanned garden hose, but when I grabbed his dick he steadied himself. I generally think 69ing is chaotic nonsense, but it was our only means of communication, a writhing 9 tongue-stabbing in the dark and a 6 shouldering the sight burden.

He came, and I learned that you can fake a male orgasm when your partner’s got a tie around his eyes. We collapsed next to each other and he removed his blindfold. He smiled goofily at me. His eyes were kind. He said, “Thank you, that was amazing,” and kissed me, quite tenderly, actually. That I enjoyed. We laid like that for a while, until we heard the sound of a key in his front door.

I pulled away. “Who’s that?” I asked. “My roommate,” he replied, and started kissing me again. “Don’t you want to close the door?” I asked, “He’ll see us.” He kissed my shoulder and said, “No biggie — he’s a modern dancer.”

OK, the last person I ever want seeing me naked is a modern dancer. Fuck that shit. Unless it’s an actually blind modern dancer. A blind modern dancer who’s never been on a roller coaster before and teaches me to see the world in a new way and has such calloused fingers that when he touches my face he thinks I look like Andrew Garfield.

His roommate was still having trouble unlocking the front door. “Oh, you must’ve locked the top lock when you came in,” he said, hopping off of the bed. Well yes, I thought, it’s a lock. “Was I not supposed to?” I asked after him. “No, we never lock it,” he replied, and trotted off down the hallway. I watched his ass disappear into the dark. I called after him, “Are you going to answer the door naked?” and he called back, “Yeah, we’re naked all the time.”

Fucking god, I thought, it’s hippie madness in here, they are just asking to get home invaded. I looked at my dick and panicked. You do not leave a WASP naked in plain sight — we’ll shatter into a thousand tiny off-white pieces. I crossed my legs, but I looked like I was waiting for a caesar salad, so I gave up on that and instead hugged my knees to my chest, trying to look like Keira Knightley on the Tom Ford Vanity Fair cover. I finally hid behind his door.

His roommate thankfully shuffled off to his own room. My guy came back and snuggled amongst his pillows. I got dressed. I was buttoning my sweater when he asked over his shoulder, “Oh, are you leaving?” I told him he didn’t have to, but he insisted that he and his swinging member escort me to the door. “You should lock your top lock,” I said to him, and he gave me another grin before closing the door.

I heard him turn only one lock, the bottom one, as I waited for the elevator. I shook my head. Can’t say I didn’t warn him.

Afternoon Swoon: Steve Kazee, defender of women’s rights on Twitter and wearer of henley shirts on Broadway

Theater

I highly recommend Once, which I finally saw last week. It’s beautiful and tender and sad, with gorgeous singing, design, and movement, not to mention achy-breaky moments of silence. AND HARMONY. AND STEVE KAZEE IN A HENLEY.

I also saw Venus in Fur, which I’d recommend for Nina Arianda’s performance. Unfortunately Hugh Dancy was out the night I saw it, but his understudy acquitted himself well. I was thinking while watching it, boy, how lucky for Nina Arianda that this play came along, but then I thought, boy, how lucky for this play that Nina Arianda came along. It really is an impressive performance, one at the beginning of what will surely be an impressive career.

And then I saw Lady from Dubuque, which I also very much enjoyed. It was in one of the Signature Theater’s brand-new spaces, and the seats are so comfortable I could’ve sat there all night. The elderly subscribers around me were bewildered by the comfort and the incredible sightlines — “I have no complaints,” the man behind me said, and he actually sounded disappointed, so I suppose that in and of itself was a complaint.

Love Poem for the Classiest Gay Guy on Avenue A

I’m sitting in a bar
at a party for a friend,
trying on a brown liquor evening for size.

I see you outside on the street corner,
both of you are framed nicely by the window I’m sitting at:
you and your friend.
His head is pressed to yours,
snowflakes are salt-and-peppering the air around you,
and I think to myself,
all right, I’ll watch them make out a little;
it’ll kill time while the ice melts and appeases this
sulfuric acid in my glass
.

But then his arms drop from around you
to dangle at his side,
and he pitches forward a little,
and it becomes clear that you are supporting all of his weight.
You embrace him not as lover
but as buttress,
and without you standing there
he would surely drop to the ground like a sack of potatoes,
like the sack of potatoes that made the vodka
I could’ve ordered, but no, I wanted to be like
Glenn Close on Damages.

He is very drunk.
Your hands go to either side of his face
and you speak directly to him
with loving firmness.
You reach for something in his pockets,
and he squirms, dodges you,
runs from you,
all with his head still pressed to yours.
It’s like you’re a maypole
and he’s a ribbon that won’t remember any of this
in the morning.

Finally you procure a phone from his pocket,
and as you dial a number he pushes away from you
and stumbles jelly-legged into traffic.
You pull him back and hold him
by the nape of the neck
with one hand,
and again you speak to him with that
loving firmness,
and oh, how I’d love for you to speak to me that way
in Duane Reade,
or when I can’t pick a restaurant.

My drink diluted a little,
I swish a sip around and down and
ache to be yours.
It tastes like the holidays we could share,
our families.

I imagine you’re calling your friend’s roommate,
making sure she’ll be up to help him out of the cab
and up the stairs and into bed.
And to call you once he’s there,
lest you start to worry.
My god, you’re the most wonderful person
I’ve never met.
You put his phone back in his pocket
and turn to hail a cab,
your charcoal coat open,
the crisp white shirt you’re wearing the fuck out of underneath
hardly protecting you from the elements.
Who, I nearly wonder aloud, do you have to
remind you to button your coat,
especially on Avenue A,
where people give each other piggyback rides
and Hepatitis C?

I want to put on lipstick
and kiss all the collars of your shirts.
I wanted this to be my Year of Yes
but I just keep digging in my heels on every little thing.
Whitney Houston died today;
I remember making carpet angels
on my bedroom floor when I was eleven
and listening to the Bodyguard cassette tape
over and over again,
and OH, THERE’S THE BROWN LIQUOR.

Funny, with vodka it’s quips and doom,
but with these burning brown sips
all I want to do is run my bare boy-feet through that carpet,
and tell my parents I love them
without being all awkward about it,
and feel your hand on the back of my neck when the fan collects
those first flecks of shit, I swear to god,
I’m scared of so many simple, inevitable things.

I am also suddenly in the mood for hard-won accordion music.

I look up and you both are gone.
Perhaps you got in the cab too,
perhaps you thought you’d have better luck one block west (you will),
perhaps you put him in a cab as planned and walked off,
coat and shirt open to the flurries,
to continue your night.

Box Office Scene

(ISAAC is on the phone with a WOMAN, exchanging her tickets.)

WOMAN: I hope I like this show. Do you think I’ll like it?
ISAAC: I haven’t seen it yet, but I’ve heard good things!
WOMAN: I’m going to Playwrights Horizons tomorrow night and, uck, I hated that last play they did.
ISAAC: Oh, really?
WOMAN: Yes. I wrote them a long letter letting them know exactly what I thought. I said, “I just don’t believe that scientists would talk that way, all ‘like’ and ‘uh’ and ‘um, whatever.’” And, would you believe, I got a letter back from the artistic director.
ISAAC: Oh?
WOMAN: Yes, and he did not like my opinion one bit! He wrote me the most condescending letter telling me that I needed to have a more open mind and that they had to fight for that play and wasn’t it wonderful that it appealed to so many young people. Well, if young people is all that concerns them, why don’t they just hire Lady Gaga to come in and fucking scream at everyone from the stage?
ISAAC: Well, it is good that young people are going to the theater, at least.
WOMAN: Right, but they’re being encouraged in the wrong ways. To mumble and uh and um and like, whatever all the time. Every theater is just putting a bunch of mumbling people on its stages. I just saw Richard III at BAM, with what’s his name –
ISAAC: Kevin Spacey.
WOMAN: Yes, and — you don’t mind if I spoil the ending for you, do you?
ISAAC: Well, I might see it –
WOMAN: He dies. And they string him up, hang him from his feet, and this completely incompetent actor steps forward and delivers the final monologue, and I’m thinking, this is it? These NYU kids, they mumble and they’re in everything.
ISAAC: Ah, well.
WOMAN: Did you see Venus in Fur?
ISAAC: I saw it off-Broadway.
WOMAN: What did you think of this Nina Arianda? She went to NYU. Everyone’s calling her the Meryl Streep of her generation. I find that very hard to believe.
ISAAC: You haven’t seen it?
WOMAN: I can’t bring myself to, but I’ve watched the clips online. It’s unbearable.
ISAAC: Well, I did see it, and I thought she was pretty impressive.
WOMAN: Well, she’s broad. She’s big. That pleases people.
ISAAC: OK.
WOMAN: My daughter is studying overseas in London, at RADA, and I keep hoping she fails, so she’ll stay there longer. I want to tell her, don’t come back, you’re better there. Look, I have a hard time; the list of places I hate grows with each week — BAM, New York Theatre Workshop, Lincoln Center –
ISAAC: (laugh) Wow.
WOMAN: You don’t agree with me. It’s OK, I’m used to defending my opinions.
ISAAC: No, it’s just — I love a lot of what those theaters do, too, so I can’t say I hate everything. Should I assume that you hate our theater, too?
WOMAN: You know, I saw something at your theater that I didn’t hate, a few years ago. That Virginia Woolf show, with the video. And I usually hate video, but I didn’t hate that.
ISAAC: Oh, good!
WOMAN: What’s your name? I want to say hello when I come.
ISAAC: It’s Isaac.
WOMAN: Oh, like in that Bible story I hate.
ISAAC: Oh! OK.
WOMAN: Yeah, I was five years old in Hebrew school when I heard that story, and that’s when I decided I hated God. Didn’t believe in him. I mean, what a horrid story. God tells Abraham to go kill his only son to prove his loyalty? I mean, are you serious? And Abraham’s all ready to do it, and God says, “Just kidding, I was testing you”? That is truly shitty.
ISAAC: (sigh) Well.
WOMAN: Well indeed. I will see you soon.

I knew joining Twitter would pay off


The thought of Joel McHale with a nipple ring is more than I can bear. In a good way.